The Cambridge Companion to Wagner（ISBN=9780521644396） pmlz pdf mobi 地址 cbz 下载 epub 百度云

Richard Wagner is remembered as one of the most influential

figures in music and theatre, but his place in history has been

marked by a considerable amount of controversy. His attitudes

towards the Jews and the appropriation of his operas by the Nazis,

for example, have helped to construct a historical persona that

sits uncomfortably with modern sensibilities. Yet Wagner's

absolutely central position in the operatic canon continues. This

volume serves as a timely reminder of his ongoing musical,

cultural, and political impact. Contributions by specialists from

such varied fields as musical history, German literature and

cultural studies, opera production, and political science consider

a range of topics, from trends and problems in the history of stage

production to the representations of gender and sexuality. With the

inclusion of invaluable and reliably up-to-date biographical data,

this collection will be of great interest to scholars, students,

and enthusiasts.

Part I. Biographical and Historical Contexts

　1. Wagner lives: issues in autobiography John Deathridge

　2. Meister Richard's apprenticeship: the early operas (1833–40)

Thomas S. Grey

　3. To the Dresden barricades: the genesis of Wagner's political

ideas Mitchell Cohen

Part II. Opera, Music, Drama

　4. The 'Romantic operas' and the turn to myth Stewart

Spencer

　5. Der Ring des Nibelungen: conception and interpretation Barry

Millington

　6. Leitmotif, temporality, and musical design in the Ring Thomas

S. Grey

　7. Tristan und Isolde: essence and appearance John Daverio

　8. Performing Germany in Wagner's Die Meistersinger von Nürnberg

Stephen McClatchie

　9. Parsifal: redemption and Kunstreligion Glenn Stanley

Part III. Ideas and Ideology in the Gesamtkunstwerk

　10. The urge to communicate: the prose writings as theory and

practice James Treadwell

　11. Critique as passion and polemic: Nietzsche and Wagner Dieter

Borchmeyer

　12. The Jewish question Thomas S. Grey

Part IV. After Wagner: Influence and Interpretation

　13. 'Wagnerism': responses to Wagner in music and the arts

Annegret Fauser

　14. Wagner and the Third Reich: myths and realities Pamela M.

Potter

　15. Wagner on stage: aesthetic, dramaturgical, and social

considerations Mike Ashman

　16. Criticism and analysis: current perspectives Arnold

Whittall.

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书籍介绍

Wagner was one of the most influential and controversial figures in the history of music. This volume explores new and continuing debates regarding the musical, cultural, and political impact of his dramas and published writings. It provides up-to-date biographical data and interpretive views valuable to academics, students, and opera enthusiasts.